FEB-043: Zone Tripper/False Flag {split} c18
A split release between Justin Marc Lloyd’s power electronics project False Flag and Florida/Philly sci-fi noise duo Zone Tripper.
REVIEW: DECAYCAST
I like this cassette before I even pop it in. The cover artwork , like a lot of stuff from this label, FOREVER ESCAPING BOREDOM Records, has a clean, intentional design to it . The artist uses provocative dark imagery, without being overly sensational, or shocking “for the sake of it”. Zone Tripper occupies the speakers right off the bat with a dense, yet well mixed dark synth backing track with rhythmic high patched pitched noise stabs over the top, creating a dark, slow hypnotic , minimal industrial landscape, the chaos keeps building and tension rises and next thing you know, your on your back with a shaking maniac screaming in your face through a seemingly endless tunnel of manic shivering reverb. The sound is as if someone is shaking your body so violently that the ears begin opening and closing ago fast that the brain becomes disoriented to the helicopter like air pressure change in the sonic stew. BUILDING, building and building, the yelling vocals begin to build atop pillars of their own decaying existence into and nauseous, menacing swell, and then its over, it feels unnerving and wrong, a stellar short offering from the ZONE TRIPPER project.
The B side is JML of Rainbow Bridge’s under the False Flag moniker, COPS are exposed for the stuck pig knife in the brain in the system that they are – and the baton comes cracking against the listeners ear fresh out of the cell- and disorientation, fear, and distrust begin multiplying by the second. Harsh, industrial pounding, and growling barely audible rhythms of everything that’s wrong with authority , and that’s everything. Super dense, dark, evil zones of sonic corruption on this tape of bloody evidence gone bad. No silly squealing or squelching, just dark punishing oscillators sonically soaked in pigs blood. Thick, evil sounding walls of motorcycle engines rearing their output to light a sonic molotov cocktail of screaming noise- DARK DARK SOUNDS, the HOPE YOU HAD IS GONE ; a sonic manifestation of the failed system . Toward the end, yelled manic vocals pulse in, but still give the mix it’s space; a nice touch. I don’t know what else to say but this tape SLAYS. Two really strong sides of murky, fuzzed out fascist killing industrial noise works. HIGHLY RECOMMENDED
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